DECIDEDLY AMBIVALENT:

DECIDEDLY AMBIVALENT
September 14th- October 25th, 2009
Opening Reception: Friday, September 25th, 6-8pm
New Art Center, Newton, MA
Curated by Lisa Di Donato & Anna Mogilevsky
Curator's Talk: Sunday October 4th, at 2pm


A majority of the world‘s population lives in urban or suburban areas. This long-running and accelerating process is inextricably changing our relationship to nature. Nature is becoming more limited and circumscribed as our towns and cities encroach upon formerly rural areas. As architecture comes to dominate the landscape, nature can become a distant abstraction, an idealized memory, the beacon to a primal longing, and at times, a surprising and even destructive imposition on our urban lifestyle.

Decidedly Ambivalent explores our ambivalence towards nature as reflected through architecture. Architecture is the most visible and unavoidable demarcation between society and the natural world. At once a necessary shelter from the elements, this edifice of society is shown as a porous boundary with the broader world. We see the inevitable tensions of our urban expansion, with architecture encroaching upon nature, and nature in turn exploiting opportunities to persist and flourish wherever possible. In modern times, it is difficult to envision a future for landscape outside an architectural context.

Following a tradition of landscape art, Decidedly Ambivalent presents the work of artists working or living in urban or suburban locations. Landscape art offers us the opportunity to consider how we relate to the places in which we dwell and the impressions we leave on the land. The artists exhibited here commingle ubiquitous signs of urbanity with landscape, and examine the dynamics of the conjunction between the two. We see relationships between them that are at times sympathetic, exploitational, explorative, and mutually inspirational. Neither clear judgments nor utopian solutions are offered, but rather an engagement is presented that remains unresolved.

-Lisa Di Donato


Exhibition Photos:

RECENT PAINTINGS:

Narwahl (B-98G), Niskayuna Province, 2008-2009
29" high x 43" wide x 2.75" deep.

Detail Below:



New Enfield (A-107), Gongshi Province, 2008-2009
Acrylic, Pearls & Semi-Precious Stones on Wood Panel, Poplar Frame
25.5" high x 59.5" wide x 2.75" deep.

Detail Below:




Gongshi Mountain, 2008-2009
Acrylic, Pearls & Semi-Precious Stones on Wood Panel, Poplar Frame
39.5" high x 53.5" wide x 2.75" deep.

Detail Below:

PHOTOGRAPHS BY WALKER EVANS (1903-1975):

Abandoned House in Lot, Bridgeport, Connecticut, 1941

Greek Revival House with Recessed Entry Porch, 1930-31

Belle Grove Plantation House with Tree Stump, White Castle, Louisiana, 1935

View of Houses on Hillside, Easton, Pennsylvania, 1935

Burning Wood House, 1928-1930

Queen Anne House with Patterned Masonry Chimney, New York, 1931

Garconniere at Houmans House, Burnside, Louisiana, 1935

Clapboard House, Ossining, New York or Charleston, South Carolina, 1930-35

Switchman's House, Train Yard, Chicago 1946

Three-Story Clapboard House, Martha's Vineyard, Massachusetts, 1974

Wedding Cake Style House, Louisiana, 1973

Above Images from the Metropolitan Museum of Art: www.metmuseum.org
Collection Database: http://www.metmuseum.org/Works_of_art/Collection_database/

PAINTINGS ARCHIVE: 2006-2007

Curioscape 1, 2006-2007
Acrylic, Oil, Pearls & Semi-Precious Stones on Panel, Poplar Frame
19" high x 24.75" wide x 2.5" deep.
(Collection of Anna Studebaker)


Curioscape 2, 2006-2007
Acrylic, Oil, Pearls & Semi-Precious Stones on Panel, Poplar Frame
19" high x 24.75" wide x 2.5" deep.


Curioscape 3, 2006-2007
Acrylic, Oil, Pearls & Semi-Precious Stones on Panel, Poplar Frame
17.5" high x 21" wide x 2.5" deep.


Curioscape 4, 2006-2007
Acrylic, Oil, Pearls & Semi-Precious Stones on Panel, Poplar Frame
17.5" high x 20.75" wide x 2.5" deep.
(Collection of Canice Lim & Christian Helbig)


Curioscape 5, 2007
Acrylic, Oil, Pearls & Semi-Precious Stones on Panel, Poplar Frame
9.5" high x 12.25" wide x 1.75" deep.


Curioscape 6, 2007
Acrylic, Oil, Pearls & Semi-Precious Stones on Panel, Poplar Frame
8.5" high x 10.25" wide x 1.75" deep.


Wunderkammer 2, 2006-2007
Acrylic, Oil, Pearls & Semi-Precious Stones on Panel, Poplar Frame
29" high x 40.75" wide x 2.5" deep.


Wonder Cabinet, 2006-2007
Acrylic, Oil, Pearls & Semi-Precious Stones on Panel, Poplar Frame
41.5" high x 58.25" wide x 3.5" deep.
(Collection of Canice Lim & Christian Helbig)

THE MODEL HOUSE:

English Regency Period Doll House, 19th C.

American Folk Art Model of a Mill House, Early 20th C.


Dutch Colonial Folk Carved Diminutive House with Iron Accents, 19th C.

American Folk Art Model of a House, C.1900

Zinc Model of a Mansard Gothic Revival House, Late 19th C.

American Folk Art Model of a House, Early 20th C.

Midwest Salt-Glazed Stoneware Model of a House, 19th C.

American Wood Architectural Model of a House, C.1930

English Pottery Model of a House Facade & Garden, 19th C.

PAINTINGS ARCHIVE: 2004-2005

Fancy View: Overmantel 1, 2004-2005
Acrylic & Mica on Panel, Poplar Frame
" high x " wide x " deep.
(Collection of Chris & Kate Campbell)


Fancy View: Shelf, 2004-2005
Acrylic & Stain on Wood Panel, Poplar Frame
15.25" high x 25.75" wide x 2.5" deep.


Fancy View: Fireboard, 2005
Acrylic & Stain on Wood Panel, Poplar Frame
20.75" high x 25.75" wide x 2.5" deep.

REFERENCE LIBRARY:


Reference Book & Houses

The Artist & The Garden by Roy Strong

OLD PRINTS & DRAWINGS:

Pencil Drawing of House by Rufus Porter, 19th C.

Shaker Reward of Merit, Canterbury, New Hampshire, C.1830